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MUSIC CENSORSHIP, 1950 till now 1952 The Weavers are boycotted because of the radical political convictions and relationship of a few individuals. In 1953 six provinces in South Carolina pass enactment prohibiting jukebox activity whenever close enough to hear a congregation. During 1954 Stephen Foster tunes are altered for radio to evacuate words, for example, "massa" and "darky." For radio airplay the apparent medication reference "I get no kick from cocaine," is changed to "I get aroma from Spain." in Cole Porter's exemplary "I Get a Kick out of you." In 1955 Former radio DJ Pat Boone starts a profession by discharging "sanitized" adaptations of dark R&B hits. Boone's adaptations of these tunes regularly contain altered verses, for example, subbing "drinkin' Coca Cola" for "drinkin' wine" in T-Bone Walker's "Stormy Monday" and "Pretty little Susie is the young lady for me" rather than "Boys, don't you realize what she do to me" in Little Richard's "Tutti Fruitti." During 1956 ABC Radio Network bans Billie Holiday's interpretation of Cole Porter's "Love for Sale" from the entirety of its stations in light of its prostitution subject. Stations keep on playing instrumental renditions of the melody. .... The Parks Department in San Antonio, Texas, evacuates all awesome records from jukeboxes situated at city pools, naming it "jumpy, hot stuff" that is unsatisfactory for adolescents. ... 1957 Producers of the Ed Sullivan Show train cameramen to show Elvis Presley just from the midriff up on his third and last debut on the program on January seventh. Dreading the impacts of the "hedonistic, inborn rhythms" of awesome music, in March Chicago's Cardinal Stritch bans well known music from all Catholic-run schools. ... 1958 The Mutual Broadcasting System drops all awesome records from its system music programs, calling it "distorted, repetitive, loud music." ... 1962 New York Bishop Burke precludes Catholic school understudies from moving to "The Twist." Burke considers R&B music, and its related moves, to be prurient and un-Christian. 1963 The FBI starts gathering information on society artists Phil Ochs. Ochs is one of a few famous performers to be followed by the FBI during their professions (Bob Dylan, Jim Morrison, Pete Seeger and Woody Guthrie... ...." ... The Roman Catholic Diocese of Providence restricts "Danny Boy" and other mainstream tunes from being performed during burial service masses. ... Following the September eleventh psychological oppressor assaults, Clear Channel Communications, the biggest proprietor of radio broadcasts in the United States, discharges a rundown of more than 150 "lyrically questionable"songs that stations might need to pull from their playlists. Hardly any melodies depict unequivocal savagery, yet most have figurative subjects that ring a piece excessively near the disasters. The rundown, containing music from pretty much every type in well known music, incorporates Sugar Ray's "Fly," "Jet Airliner" by Steve Miller, Nine Inch Nails'; "Head Like a Hole," AC/DC's "Shoot to Thrill" and "Highway to Hell," Pat Benatar's "Hit Me with Your Best Shot," "Dust in the Wind" by Kansas, Jerry Lee Lewis' "Great Balls of Fire," REM's "It's the End of the World as We Know It," &qu ot;Only the Good Die Young" by Billy Joel, Dave Matthews Band's "Crash Into Me," "Nowhere to Run" by Martha & the Vandellas, and all tunes by Rage Against The Machine.